Gibson Les Paul Jr Double Cut A best guitar collection is actually similar to a dynamic mike coil. For many years, powerful microphones have been sent with the voice coil attached with the primary of the microphone's transformer, and not introduced to floor (‘floating'). The microphone's situation is usually connected to the cable shield, which is attached to the microphone amplifier's ground (see Rane's web site for more discussion).
By and big, vibrant microphones are extremely calm products as a result of the mixture of transformer isolation and balanced, floating indication lines during, along with shielded, humbucking coils.
So why not guitars? Instruments are once plagued by noise. Humbucking pickups are only an incomplete (though essential!) solution. The most obvious answer is always to move practicing the guitar collection to a balanced productivity, just like a microphone. A similar thought was published this 2001 patent software such as Gibson Les Paul Jr Double Cut?