Gibson Les Paul Vintage Sunburst A guitar collection is essentially similar to a vibrant microphone coil. For many years, dynamic microphones have now been wired with the voice coil attached to the primary of the microphone's transformer, and perhaps not introduced to surface (‘floating'). The microphone's event is normally connected to the cable guard, which can be linked to the mike amplifier's floor (see Rane's site for more discussion).
By and large, active microphones are extremely quiet products consequently of the mix of transformer solitude and balanced, flying sign lines for the duration of, in addition to guarded, humbucking coils.
Therefore why not guitars? Instruments are notoriously overwhelmed by noise. Humbucking pickups are just a partial (though essential!) solution. The obvious solution is to move your guitar pickup to a balanced output, as being a microphone. An identical strategy was printed that 2001 patent application such as Gibson Les Paul Vintage Sunburst?