Les Paul Custom Silverburst A guitar collection is essentially just like a dynamic mike coil. For decades, energetic microphones have been wired with the voice coil mounted on the primary of the microphone's transformer, and maybe not called to floor (‘floating'). The microphone's event is usually linked to the wire guard, which can be linked to the mike amplifier's surface (see Rane's internet site for more discussion).
By and big, active microphones are very quiet products as a result of the mix of transformer isolation and healthy, floating sign lines through the duration of, along with shielded, humbucking coils.
So why not instruments? Instruments are notoriously plagued by noise. Humbucking pickups are only an incomplete (though important!) solution. The most obvious solution is always to float the guitar pickup to a healthy production, just like a microphone. A similar thought was published this 2001 patent program like this Les Paul Custom Silverburst?